The day I arrived in Torquay was the sunniest we’d had yet in 2016. People lined the sea front in their holiday clothes and ate chips and ice-cream. The breeze from the sea ruffled through, providing an occasional release from the unrelenting heat, spinning rainbow pinwheels and tumbling seagulls around the sky as it went.
A man with a sweeping brush drew complex patterns into the sand, moving in a way that suggested this was a form of meditation for him. Elsewhere children ran around just because they could, sticks at the ready to poke in the sand. Boys with kayaks fought the waves, a photographer carefully stalked a group of sandpipers up and down the shore. It was charming just as the British seaside always is but I didn’t have time to stop and enjoy it. I was on a mission to investigate Britain’s sexiest ghost, and ghosts wait for no man.
That ghosts are even real is a subject of much debate but Torquay museum insist they’ve got one, and not just any old ghost at that. Theirs is the sexiest one. Part of me is alarmed that you can still be objectified once you’re dead but that’s a different conversation for another day.
Last October their ghost made the headlines when it left fingerprints inside a glass case which houses a mummy. It hasn’t been established just how a ghost could leave fingerprints on glass without having physical hands but let’s humour this idea for a moment.
Just prior to the fingerprints being discovered it is claimed ‘the female ghost was seen creeping between the artefacts. She was wearing old clothing showing off all her assets as she emerged from the floor and cast her eyes down towards a light.’
In July 2015 the ghost was photographed in the Old Devon Farmhouse exhibition, leaning forwards slightly and showing off her cleavage. There has been speculation online about the cause of what is seen in the photo. Some people believe it to be staged, others suggest it is the reflection of someone in a window pane among other theories.
I was contacted by US paranormal researcher Benjamin Radford who wanted to know if I (as a British paranormal investigator) had heard anything through the grapevine about this particular case. The grapevine is a valued asset to paranormal researchers and it’s usually through word of mouth that tip offs come that help solve cases. After a long discussion I agreed to visit Torquay to have a look at the room and to take detailed photographs so that a cause might be established once and for all.
Ghost photos that are genuinely interesting are rare; they generally tend to be bad hoaxes, random blurs mistaken for something, photographic errors, or nothing at all. There was certainly something in this photo which made it stand out in my mind. There are times when an investigator can work out what is happening without an on-site visit, but more often than not actually being on location is beneficial and eye-opening. The answer can slap you right in the face when you thought you’d need hours of sleuthing. You might meet the “ghost” in person and be able to kill your afternoon in the pub instead (this has happened.)
Upon arriving at the museum and venturing onto the top floor where The Old Devon Farmhouse exhibit lives one thing became apparent straight away. The ghost was not caused by a reflection as many had suggested. I found all of the reflective surfaces in the room and took photos of the fireplaces through them from different angles to try and replicate what is seen in the original get off crestor photo but it wasn’t possible.
As I inspected the area I saw that there were small benches next to one of the fireplaces that were in the right position for the ghost to have been seated on at the time. Therefore it is my conclusion that Britain’s sexiest ghost was actually a living person sitting in the dark next to one of the fireplaces. It almost looks as though her face is lit by the screen of an electronic item such as a camera or phone.
After my inspection of the exhibit I found staff members and volunteers on the ground floor and inquired with them about the ghost. They explained that many people took part in ghost hunt events in the museum and had strange experiences. One of the women I spoke to explained that a whole shelf of books had flown off of the shelf in the gift shop one afternoon as she spoke with customers. That was the one original activity that any of them could recall – everything else was related to these ghost hunting events.
This is problematic because people taking part in a ghost hunting event have primed themselves to interpret things that they experience as most likely to be paranormal. When a haunting is largely based on the experiences of people who have paid to have a paranormal experience it isn’t a very reliable or interesting case and eye-witness testimony is not useful evidence or data.
I inspected the mummy case while at the museum. Remember, this mummy made headlines in October 2015 when ghostly fingerprints appeared on it during a ghost event.
The only problem is that there were fingerprints and greasy hand marks all over the case when I visited. The case is quite low down so that children can see the mummy properly so there’s absolutely nothing to suggest, to me, that fingerprints appearing on this display are out of the ordinary.
To establish that the fingerprints were not inside the case originally, or that they had simply not been noticed before would be an incredible feat. But even if we know for sure that this was true there is nothing to suggest that fingerprints appearing inside a case were caused by a ghost. There are a number of perfectly ordinary scenarios that could result in prints appearing inside the case when they weren’t there before.
I believe that these ghost-related headlines and events are all inspired by falling visitor numbers and are an attempt to to get people through the door and to drive revenue. It’s a shame because this sort of ghost tourism is quite uninspired when there are such interesting exhibits one could use to engage the public with but I think we shouldn’t be too quick to judge.
It has been reported that ‘council figures show the [visitor] numbers dropped in 2013/14 from 25,957 to 18,743′ and the same report detailed how in 2015/16 the museum faced a 42% budget cut from the local authority. The Austerity that the Conservative government have imposed upon the United Kingdom is slowly strangling art and cultural organisations throughout the country. Museum manager, Phillip Collins said the funding cuts could ‘kill Torquay Museum before we are able to put ourselves on a secure financial footing for the future.’
That museums face this challenge is heartbreaking. Please visit your local museum, and not just because Britain’s Sexiest Ghost might be lurking in the shadows. Pervert.
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